Category: News

Technorama is dedicated to training the next generation of technologists, and we’ve been looking for creative ways to do that.   The Tech Blitz idea came from a very simple concept: it’s much easier for volunteers to achieve in a group and with a defined timeframe.   The Studio Blitz aims to assist a station to spring-clean and refurbish its studio technology over a weekend, while training and skilling up a team at the same time.

On the weekend of 12/13 January 2019, we put that into practice at 2RRR. They put their hands up to be the test bed for the first outing of the Blitz packaged by the CMTO to be delivered as a pathways class.

RadioInfo wrote a great report on the class, which received outstanding support from the 2RRR and the participants of the first class.

You can read the RadioInfo article here.   And then check out some of the great photos that came out of the day.

There are more blitzes planned for the coming year, and CMTO will shortly release details of how your station might participate.

And as RadioInfo hinted, Technorama is working on a similar approach to transmitter training.  RadioInfo is right: many people talk about the need for technical training.  Technorama is doing something about it, and the CMTO is making it possible for the training to be delivered.  It’s practical and an example of a great ecosystem.

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A few people have asked about cleaning faders, and what was the technique that I taught at the Studio Tech Blitz.  That is the subject of this article.

Console spring cleaning, signal path lineup and general studio maintenance are core topics of the two-day Technorama/CMTO Station Studio Blitz class, available via the CMTO.

Is this technique based in good science?

Yes, I believe it is.   A long time ago I had to do a major fader refurb for a Soundcraft desk.  Some of the faders were audibly noisy and scratchy around the “zero” point (noticeable on-air).  A few of the faders were so sticky they almost could not be moved.  If your mixer hasn’t had maintenance for a while, feel all the faders and you’ll quickly conclude that some move more easily than others;  if so, it’s time to do some work.  Three to four years seems to be a good interval between refurbs, but your slideage may vary.

As a great believer in “phone a friend”, I first called Penny and Giles in the UK to ask them for their recommended cleaning procedure for P&G faders.  I particularly wanted to know whether isopropyl alcohol was the right solvent to use on resistive tracks.   It definitely is not;  they put me straight, and what follows is the procedure that I developed from the advice given.

Sidebar:  it turned out that the faders in that desk were Alps and not P&G.  This article covers both brands of fader because the process is almost the same.

As a preamble, consider that faders are really expensive and you’re not likely to get replacements on the weekend or in the middle of the night if you ruin one.  Treat faders as though they are made of unobtanium.  If you want any pot (or switch) to last beyond this exercise, don’t use methylated spirits on the resistive tracks or other working parts of the pot (it contains all kinds of stuff you don’t want on faders); don’t use WD40 or RP7 (unless you want to dissolve the fader) and don’t use anything scratchy during the process.

What about faders on a digital desk?

Good question.   Digital desks literally use digital faders; there’s no audio involved in the fading process, only numbers. The slider control element might be resistive or the slider might be a linear encoder.  Regardless, your desk’s fader thingy is going to be followed by electronics which interprets the slider’s behaviour and does maths to produce audio.  The advice here might not apply at all to a digital desk.

What will you need?

• Tools.  Most likely a selection of small screwdrivers.  Chances are you will not need any tools to work on the actual faders.
• Clean water.  Whether you use filtered water, distilled water or tap water can be based on your knowledge of local water quality.  You might even use warmish water.   In Sydney or Melbourne I’m comfortable using tapwater, and so far we’ve had no reports of faders affected by cryptosporidium.   If you’re worried, boil the water to sterilise it, but don’t ever boil faders.
• Cotton buds.  My recommended cleaning weapon is cotton buds, and I mean the ones where the tips are made from actual cotton and not some synthetic.  Cotton buds come in regular, pointed, flat and some other weird shapes.  A selection is helpful.
• Cotton balls.  Most houses have bags of these in the bathroom cupboard.
• Pure Isopropyl alcohol: as in, not be mixed or diluted with anything else.   Obtainable typically from a compounding chemist.  Don’t use the rubbing alcohol stuff from a supermarket; that contains all kinds of material you don’t want on a fader.  A note about the alcohol used to sterilise for COVID or other viral situations:  that will probably be 75% isopropyl, diluted with water, because that’s the optimum strength to deal with viruses.  The water content won’t hurt, but it’s not going to be as good at dissolving grease as the full-strength stuff.
• Methylated spirits as a backup, and for getting goop off non-active fader parts only.
• Absorbent and non-absorbent paper
• Fader lube.   This might be the hardest substance to obtain.  It’s a silicone compound designed specifically for fader sliders (not the electrical parts).  A small amount will last forever unless you are refurbishing many hundreds of faders.
• Surfactant.  A detergent that can be used full-strength and diluted to remove grime from console surfaces and the fader knobs.
• An electric toothbrush with a brush you don’t want to use on your teeth ever again.

1. Extraction.

Pull the fader out of the module and open the fader cover.   Be careful.  Alps faders have a metal cover that can bend if you’re heavy handed.  Some P&G faders have a plastic cover that can snap, and you don’t have to be heavy handed.  Be careful!

Clean all the crap out of the fader. There will most likely be hair, fluff and skin cell buildup.  That might sound disgusting, but live with it.  Faders are almost always  operated by fingers, and fingers are just rolling in skin.  It’s natural that some skin cells will accumulate over time, and that dross needs to be cleaned off.

Use cotton buds and carefully, with no pressure, wipe around (but not on, yet) fader tracks and contaminated surfaces.  Be especially careful to not cross-contaminate from the chrome slider bars, or any other messy part, to the resistive tracks.

Hint:  skin cells won’t dissolve in anything you’d want to have near faders or your skin.  Just clean carefully and thoroughly with buds, water, maybe some isopropyl alcohol, and possibly some carefully applied surfactant.

2. A wipe down.

The preamble:

Put the water in a glass so you can always see how clean it is, and use that to pour some of the water into a clean lid.  Dip the cotton bud from the lid.  Keep the water in the lid clean.  Don’t use dirty water on the next fader.  Cross-contamination is your enemy, and can turn a working fader into one that no longer fades the way you want.  Got it?  Have I said “don’t cross-contaminate” enough times?

The resistive element in a P&G fader is a set of conductive plastic tracks, and those tend to stay pretty clean. Alps faders have carbon tracks and most likely when you wipe over you’ll get some carbon transferred to the bud. It won’t be a lot.  If you think there’s a lot of carbon coming off, do a second pass.   The excess carbon might be contributing to scratchy noise, although it’s also providing lube.  Don’t overdo the cleaning.

The technique:

Use a teased out cotton bud dipped in water to gently clean along the resistive elements. Reminder:  work lengthways and don’t rub across the track.

The biggest danger is that you’ll accidentally scratch a track and cut it, which would be terminal for the fader.  Damage is unlikely, but it’s not impossible – especially if you use force or accidentally get some abrasive crap under the bud before you wipe.

Run the damp bud along the track, and then run a dry bud along the same track. The dry pass will pull off almost all the water you’ve laid down.

In the case of a stereo Alps fader, the second track is most likely to be hidden under a chrome runner. The best way I’ve found to deal with that is to tease out a cotton bud and bend the cotton at right angles.  You should then be able to hold the bud shaft vertically and wipe the damp horizontal cotton pad along the track under the runner, and without contacting the runner. Use the same process for both wet and dry pass.

Let the fader tracks dry fully.  If you can see water droplets, shine, or residue when you hold the track to the light, repeat the process and allow to dry.

Don’t go near the wipers under the sled.  The wipers are unlikely to be grimy, and are the other thing that you could damage in a way that might be unrecoverable.  Just move the sled out of the way so you can clean all of the resistive track.

3. The shiny bits need more shine.

Next clean the chrome runners that the fader sled runs up and down. If the runners are generally clean and don’t have anything adhering, then you don’t need to do more than wipe over with a clean bud. If there is crap on the runners, then you will probably need to use isopropyl alcohol to clean them down.

4. Lube the runners.

I have a jealously guarded bottle of P&G silicone lube.  It only takes the tiniest droplet of lube transferred to the runner to do the job.  The lube will be distributed along the runner by moving the fader up and down enough (which you do before reassembly).

Worst outcome: you use too much silicone lube, and some ends on the track. That’s when you need to get isopropyl alcohol and clean up the mess, and it’s probably the only time that you would need to put a degreasing agent on the track.  Then start again with the cleaning cycle.

Tip:  put a piece of paper under the runner to protect the tracks before you put the droplet of lube on the runner.

Question:  what’s a good silicone lubricant?  There are many, and I can’t recommend anything other than the stuff I obtained from a P&G distributor.  WD-40 is technically a silicone lubricant, but it’s not likely to be suitable for faders.  “Dow Corning 510 or equivalent” is recommended by Telos Alliance.  Deoxit Fader lubricator has also been mentioned.   My best advice is:  if you’re unfamiliar with a treatment, do exactly ONE fader and use it for a while before moving on to the rest.   The worst possible refurb outcome would be where you accidentally wreck a console full of faders in one pass.

5. Put everything back together.

Alps faders have solder connections, generally to a plug that connects the the channel strip and to the metal cover. P&G faders might be solder terminated, or have a plug that is the other end of the wires that go to the channel strip plug. Ensure that the fader plug is pushed back firmly into the fader – I’ve seen a case where the earth pin was intermittently connecting, and that’s very confusing.  Then ensure that the plug to the channel strip is pushed back firmly and correctly onto the channel PCB.

Hint:  if the two channels don’t track within a fraction of a dB when you reassemble the fader, you might have a bad plug connection.

6. Clean the knobs

Over time the grooves in fader knobs clog up.   Fastest way to clean fader knobs:  water, a little surfactant (dishwashing liquid is good) and the electric toothbrush.   Don’t use too much pressure because an electric toothbrush can be surprisingly abrasive.  However once the in-slot garbage is softened with water, the toothbrush will do a very good job.  You will most likely need surfactant to get the greasy stuff away from the knob.   Oh, and clean the brush after each knob; you’ll see what I mean after you do the first knob and the toothbrush turns grey – proof that you’ve done a good job.  Rinse with water and allow the knobs to dry.

7. End of job.

Reinstall the fader, and check that all is good.  Feel the fader and have a listen to audio passing through it.  Listen for mechanical and electrical scratches or clicks.  If you’ve done this carefully, there’s very little that can go wrong, and your fader should feel amazing.

The reference in this link might also help.  It’s a slightly different technique for a slightly different P&G fader series to those used in Elan or Soundcraft desks, but the principles are the same.   The article also has a good photo of a conductive plastic track.

Was this helpful?  Post a note on the Community Radio Tech Q&A group to let us know.

John Maizels January 2019

[minor updates April 2022]